Women in the Chinese Clay Horse Sculptures of the Tang Dynasty Upon death, many Chinese horsemen were buried with clay horse sculptures. The graves in the Shen-si and Ho-nan provinces are actually particularly abundant in horse figures from the T'ang period (618-906AD). The sculptures found in the graves included horses without sufficient reason for human figures. The horses which human figures are mounted occupy a particular place. Their significance with regards to the dead may be ascertained using their position in the grave. They were found either as preceding or as following coffin. This generally seems to allude that the these folks were thought to be the mounted escorts with the occupant in the grave. The placement mimics exactly the same manner because living one, when while on an official visit riding in a cart or even in a sedan-chair, is associated with outriders in-front and in the rear. As only persons of rank were granted this privilege, it seems sure the identical rule was observed in the grave, and that the clay statuettes of cavaliers appertain to dignitaries. An interesting cultural and societal difference is all with the riders with the figures from Shen-si are male, while there are women included in those from Ho-nan. Whether it is as a result of artistic license or representative with the truth, the ladies of Ho-nan are better seated inside saddle as opposed to men of Shen-si. Horseback-riding would be a common exercise for ladies within the T'ang period and many female equestrians were widely represented by pictorial art. Thus, it is not surprising to find out them represented within the clay horse figures from Ho-nan. Indeed, it can be perhaps more surprising they are absent through the art of Shen-si. Some from the sculptures featured women wearing male attire, a girdled coat with triangular lapels, trousers, and boots. The saddle-cloth was formed by the panther-skin. In others, the ladies were inside female dress with the time using a flat cap on the head from where a long ribbon floats down her back. In all in the sculptures, mineral kaolinit - HDMicrons.com the details with the horse tend to be realistic modeled than others with the female rider. For instance, the muscles of the horse's head, the nostrils, jaws, teeth, and tongue are carefully modeled. Special attention was given to the horse's mane whether standing up straight or falling to one side. One from the most impressive areas of these sculptures could be the color applied with the use of lead glazes. I believe the addition of color enhances each bit and brings forth the definitions of the sculpture, especially within the dress of the female riders. If there is a moment look at the selected artifacts from the Imperial China Clay Gujarat - HDMicrons.Com, the Art from the Horse in Chinese History exhibit on the Kentucky Horse Park International Museum with the Horse.